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Monday, March 26, 2018

2018 ISA Award Winners

Once a year, ISA’s members are asked to help identify those in the organization who have inspired them by an accomplishment or act of service. This year at Assets, we recognized the following award recipients for their contributions to ISA:

Christine Guernsey, ISA CAPP,
receiving the President's Award
President's Award:
Christine Guernsey, ISA CAPP

Lamp of Knowledge Award:
Steve Roach, JD, ISA CAPP

Service Award:
Wendy Gerdau, ISA CAPP

Outgoing Leadership and Service Award:
Elise Waters Olonia, ISA AM

Service Award - Retiring Fine Art Instructor:
Cathy Peters, ISA CAPP

Foundation for Appraisal Education Award:
Wendy Gerdau, ISA CAPP

The Canadian Chapter winning Chapter of the Year
Rising Leader Award:
Bailey Sexton, ISA AM
Jessica Strongin, ISA CAPP

Distinguished Service - ISA Instructor Award:
Michael Logan, ISA CAPP

Leadership Award:
Cindy Charleston-Rosenberg, ISA CAPP

Chapter of the Year:
The Canadian Chapter

Distinguished Service:
Jan Durr, ISA CAPP
Sheila Osborne-Jones, ISA AM
Fred Winer, ISA CAPP

Affinity Business Partner Award:
Collector Systems

Descriptions of each award can be found here, and see more pictures from the conference, including award winners, on the ISA Facebook page!

Save the Date - We'll see you at next year's conference, April 12-15 at the Brown Hotel in Louisville, Kentucky.

Tuesday, March 20, 2018

Ask an Instructor: Comparables and the Report Writing Checklist

ISA members are invited to send in their questions on all things appraising and education to ISA's instructors. One of ISA's instructors will share answers on the ISA Now Blog. Please send questions to directorofeducation@isa-appraisers.org.


Question: How many comparables do I need to include in my appraisal?

Answer: This question is one of the most commonly asked to the ISA instructors throughout the year. The answer is…enough.

You want to include enough comparables to produce a credible valuation. Sometimes you may have two or three comparables available to use. Sometimes only one is sufficient to make your point. And, sometimes, you will need to provide more than three comparables. What you do NOT want to do is print out every comparable from Artnet or Askart or another subscription service for the last 50 years with thousands of examples. Choose the most relevant comparables for the appraised item, and explain in your reasoned justification how you narrowed your search as well as why each comparable listed is relevant to the appraised item. End your justification with how you came to your value conclusion based upon the comparables cited. Remember that the reasoned justification is just as important as listing the comparables themselves.

Question: Do you know where I can find the 2018 ISA Appraisal Report Writing Checklist?

Answer: Yes! You can download the newly updated Checklist here. We also have a blog post with more information on the updated checklist. You can also always find the Checklist posted on the ISA Forum under the Education topic.

- Meredith Meuwly, ISA CAPP
Director of Education

How to Evaluate a Basic Coin Collection

Steve Roach, ISA CAPP
Many appraisers dread encountering a client’s coin collection, where there might be thousands of individual items. Appraisers are worried they’ll miss something. But thankfully, most accumulations of coins in normal households aren’t particularly valuable and evaluating a basic coin collection is within a trained appraiser’s skill set.

Step 1: Gather all of the coins in one place. At the core of Marie Kondo’s popular book The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering is to assemble items of the same type together before you start making decisions. The same can be said for a coin collection, which is often scattered across a house in various cigar boxes and purple Crown Royal liquor bags. Get everything numismatic – in other words coins, paper money, tokens, and medals – in one place. Then you can sort items into a save pile for items with numismatic (collector) value and spend categories for items valued at-or-near face value.

Step 2: Ask about the client’s collecting. Where did the collector purchase their coins? Directly from the U.S. Mint or through dealers? Is there an inventory? Are there invoices or are these coins just an accumulation that was gathered over time? These questions will help you decide whether you need an outside expert or if you are competent – or can acquire the necessary competency – to tackle the project yourself. A good question to ask: what do you think are the most valuable coins in the collection? A generalist appraiser can likely handle a group of modern U.S. Mint issues, but might not be equipped to appraise a collection of ancient coins purchased from German dealers in the 1950s. It’s best to discuss this openly at the start rather than be surprised later.

Step 3: Discuss the client’s expectations. Does the client expect for you to go through every roll of coins and individually itemize every coin in your report, or just provide summary line-items utilizing grouping? Since even low-value coin collections can have thousands of items, make sure you know in advance what the client expects. Since you’re billing for your time, solid communication and getting on the same page are essential to avoid unpleasant surprises later.

Proof sets
One area that appraisers see all the time are Proof and Mint sets. Many people purchased a set or two each year in the 1970s through 1990s with the intention of giving them to their children or grandchildren, who may or may not have had any interest in collecting.

Proof coins are produced for sale to collectors and the Proof sets contain an example of each denomination struck in a given year. Sets from 1936 to 1942 had relatively low production numbers and are expensive – for example, a 1941 set with the cent through half dollar denomination can be worth $1,500. Mintages increased with 1950 to 1964 Proof sets, which have a silver dime, quarter dollar and half dollar, along with examples of the cent and 5-cent denomination. Most frequently, you’ll find sets from 1968 to present day. Assuming that they’re in their original Mint packaging with a cardboard outer box housing the plastic container with no cracks, they can be valued according to price sheets for most purposes.

U.S. Mint sets contain uncirculated examples of each year’s coins for every denomination issued or circulation from each Mint. Since 1959, these sets have been sealed in protective plastic envelopes. No Proof or Mint sets were issued in 1965, 1966 and 1967, with Special Mint Sets packaged in hard plastic holders sold instead.

Reliable pricing references include A Guide Book of United States Coins (better known as the “Red Book”) which is an annual price guide in book form and monthly periodicals like Coin World’s Coin Values. (For disclosure, I serve as a contributor to the “Red Book” and an editor at Coin World, but would recommend both resources regardless). Completed sales on eBay provide useful reference points as well. Dealers often refer to wholesale guides like The Coin Dealer Newsletter’s Greysheet that report on a dealer-to-dealer wholesale market.

Five coin and 6-coin Proof sets produced between 1968 through the mid-1990s are common and as a rule of thumb, worth $5 to $8 each, and Mint sets from this era are valued similarly. Sets with silver coins and Prestige Proof sets which include commemorative coins are worth more. There are a few varieties that can make sets worth more – for example, a 1990-S Proof set where the Lincoln cent is missing the San Francisco “S” Mint mark can sell for as much as $5,000 – so a statement in an appraisal that Proof and Mint sets were not opened and checked for varieties might be prudent. Many collectors kept their sets unopened in the boxes as shipped from the U.S. Mint. Thankfully, these boxes generally state the contents on the outside and it’s fine to value them unopened. But, you may want to note that you relied on the label on the box when identifying the sets.

Increasing Supply and Decreasing Demand: Today’s market for U.S. Mint and Proof sets


Collecting trends come and go, as collectors from the 1960s who were into buying coins by the roll can confirm. Proof and Mint sets manufactured and sold by the U.S. Mint have been a mainstay of the hobby for decades, serving as gifts for generations of collectors and non-collectors alike. Here’s a look at some of the factors shaping today’s market for Proof and Mint sets.

Mint production numbers for traditional Proof and Mint sets have been declining, and the Mint has acknowledged that this is a major problem for its collector products revenue stream. These sets have a primary market when an individual purchases them from the Mint or through a dealer who purchases them from the U.S. Mint. A secondary market is created when this initial purchaser sells his or her set.

For there to be a growing market and for prices to rise, there has to be increased demand for the sets. If fewer people collect sets, as the trend is headed, this could spell bad news for already sinking prices in this area.

Dealers now buy many Proof and Mint sets of the 1970s and 1980s for amounts below the face value of the coins in the set, acknowledging the labor involved in breaking the sets up to sell the coins individually or to package them for sale to a wholesaler. The decline in the number of local coin shops means that fewer dealers stock these low-value sets, finding the trouble of maintaining an inventory of bulky $3 sets not worth the potential profit.

These trends can be challenging to explain to clients. Retail price guides are useful for determining retail replacement value – representing the cost to replace a similar Proof or Mint set – but it may not reflect what a client will get when it comes time to sell.

A look at prices for many Proof sets shows sharp declines over the past decade. A 1995-S Proof set that sold for nearly $50 back in 2005 is worth around $10 today and the 1997-S Proof set which was worth $40 in 2005 trades for around $8 now. Part of the reason is that many Millennials who received these sets as gifts in the 1990s sold theirs and created a modest surge in the supply. Another is that in absence of people collecting complete sets of Proof and Mint sets, the premium for these slightly tougher-to-find years evaporates.

There have been a few bright spots – the 2012-S Proof set trades for over $100 and the 2012-S Silver Proof set costs $200 now, far more than their initial sales prices of $31.95 and $67.95, respectively. But the winners are outnumbered by the sets that have seen declines over the past few years. 1981 saw the Mint sell more than 4 million Proof sets, and mintages over 2 million were common in the 1990s with more than 3 million sets sold in 2000 as people celebrated the new millennium and speculated that these 2000-dated sets would become popular in the future. Mintages have gradually declined since, towards 1 million and then finally dropping below 1 million in 2012 with sales of 794,000 sets. The Mint has sold fewer than 500,000 2017-S sets as of the end of 2017.

As more buyers adopt a more minimal approach to collecting, favoring fewer objects of greater quality, the inherent standardization of Proof and Mint sets (each one is the same), combined with the space required to store them, make these sets less attractive to younger buyers. That’s not to take away from the pleasure that many derive from collecting these, or buying one to celebrate a milestone or to give as a gift, but when thinking of the investment potential of Proof and Mint sets, considering future demand is essential.

Steve Roach, ISA CAPP, is an appraiser based in Washington, DC, and Cincinnati, Ohio. He is an expert in rare coins and medals with expertise in European and American paintings, sculpture, prints and drawings.

Tuesday, February 13, 2018

Experience the Best of the Golden State at Assets 2018

Headed to Pasadena for Assets 2018? Here’s a list of cultural spots, entertainment, restaurants, and more to help you make the most of your trip.

While you’re in Pasadena, you’ll have a golden opportunity to explore the rich history, culture and art of California, as well as shop and dine in a beautiful city with great weather. Located just ten miles north of Downtown L.A., Pasadena is unquestionably the place to be this March.

Pasadena's iconic City Hall

Art and architecture


Known as a regional center of arts and architecture, Pasadena has been home to many well-known artists, including Guy Rose, Alson S. Clark, Marion Wachtel, and Ernest A. Batchelder of the Arts and Crafts Movement. You’ll be able to see examples of architecture from every era of California history in Pasadena as well, from historic estates to residential districts like “Bungalow Heaven,” named for its large number of craftsman-style houses.

Bungalow Heaven. Image credit: Eugene Lee

Aside from the places we’ll visit on our Fine Art and Antiques, Furnishings + Decorative Arts specialty tours, the Huntington, Norton Simon Museum, and Gamble House, there are many other museums located in or near Pasadena that have outstanding collections of works from California and beyond.

Be sure to visit the Pasadena Museum of California Art, dedicated to exploring “the cultural dynamics and influences that are unique to California” through art and design. There will be two special exhibitions there during our conference in Pasadena. The first is Testament of the Spirit: Paintings by Eduardo Carrillo, whose artwork has been described as mystical, realistic, surreal, and visionary. The second is The Feminine Sublime, presenting the art of L.A.-based artists and their interpretation of the sublime in painting.

Virginia Katz, Land – Into the Abyss [detail], 2017
Close to Pasadena, you’ll find the Los Angeles County Museum of Art, featuring 18th century Mexican paintings, 20th century design in California and Mexico, and more. The Museum of Contemporary Art in Los Angeles represents the work of artists from the 20th and 21st centuries. In March, they’ll have a large exhibition from Nigerian-American artist Njideka Akunyili Crosby. And don’t miss The Broad Museum, where you’ll be able to see a retrospective of works by iconic American artist Jasper Johns. The J. Paul Getty Museum spans two campuses, one featuring a villa modeled after a first-century Roman country house.

Villa at the J. Paul Getty Museum

Shopping and entertainment


The historic town center, Old Town Pasadena, spans 21 blocks and has a wide variety of options for shopping, dining, and entertainment, including many restaurants, cafés, galleries, and comedy clubs. On the second Sunday of every month, you can attend the famous and long-running Rose Bowl Flea Market to browse new, used, and antique items from a variety of sellers.

View of Old Town Pasadena

Dining


Vertical Wine Bistro
Did you know that Pasadena has more eateries per capita than New York City? No matter what your taste or budget, you’ll certainly find what you’re looking for here. You’ll benefit from the proximity to California’s wine country and the beautiful farms around the state. For California-style comfort food, try the tucked-away Green Street Restaurant, or the seasonal selection at Vertical Wine Bistro.

If Italian food appeals to you, try Briganti in the Mission area. Of course, you can’t miss all the great Mexican food in the area, especially El Cholo Café with its California influence and green corn tamales, and El Metate. If you’re looking for something laid-back, Pasadena's classic Pie’n Burger has hamburgers, milkshakes and fruit pies.

There’s truly something for everyone in Pasadena, and we can’t wait to see you there for Assets this year!

For more information on Assets 2018 and to register, visit the Assets 2018 section of the ISA website.